fbpx

Anou Residencies: Common Thread exhibition

October 28, 2014

The Common Thread display at Designjunction in September, showed six rugs that came out of a collaborative project between the Amazigh weavers in the Atlas Mountains of Morocco and London-based designer Sabrina Kraus López.

CT_Tmazight_2_72dpi

Tmazight (Motherland) rug by Fatima Yadiri

The Common Thread display at Designjunction in September, showed six rugs that came out of a collaborative project between the Amazigh weavers in the Atlas Mountains of Morocco and London-based designer Sabrina Kraus López. The Anou Residencies project was established by The British Council as a way to create an exchange of skills and ideas between Morocco and the UK. The first of these residencies was completed by Kraus López, who lived with the Anou artisans for a month to collaborate on new designs using the Amazigh’s traditional weaving techniques. The Anou community consists of over 400 artisans of a variety of disciplines, six of whom came up with rug designs inspired by their own culture. All the work produced can be bought online, cutting out the middle man and allowing these craft people to sell their work internationally.

CT_Ammyili_2_72dpi

Ammyili (Coexistence) rug by Mustapha Chaouai

CT_Afouzar_2_72dpi

Afouzar (Sacred) rug by Fatima Ouakhoum

CT_Mma_2_72dpi

Mma (Mother) rug by Kenza Oulaghda

CT_Amagit_2_72dpi

Amagit (Identity) rug by Brahim El Mansouri

CT_Assoulef_2_72dpi

Assoulef (Opportunity) rug by Rabha Akkaoui

Words by

Related Articles

Best sellers USA

In Part 2 of our ‘Best Sellers USA’
series, Lucy Upward looks at another five bestsellers from US rug brands

Textiles take the stage

Fifty years ago, what was then known as ‘fibre art’ remained on the fringes of the art world. Today, regular exhibitions and critical recognition have become the norm. Lucy Upward charts the emergence into the limelight and salutes some major players

Related Articles

Textiles take the stage

Textiles take the stage

Fifty years ago, what was then known as ‘fibre art’ remained on the fringes of the art world. Today, regular exhibitions and critical recognition have become the norm. Lucy Upward charts the emergence into the limelight and salutes some major players

read more