The Tamarian team at CCNY The fifth edition of COVER Connect New York—the leading trade show for handmade rugs and high-end carpets, organised by COVER—concluded on Monday afternoon after its three-day run from 13–15 September 2025. The b2b show attracted more than...
Curated by Es Devlin, the fourth Homo Faber Biennial brings together more than 700 objects by over 500 artists in an immersive celebration of light, materials and human skill

Homo Faber Biennial returns to Venice this September with its most ambitious edition yet. Titled An Island of Light, the international celebration of contemporary craftsmanship brings together more than 700 objects by over 500 artists from more than 70 countries.
Taking place at Fondazione Giorgio Cini on San Giorgio Maggiore island, Venice, from 1–30 September 2026, the fourth edition explores the fundamental relationship between light, materials and the human hand.
British artist and designer Es Devlin has created 15 immersive installations that unite the work of hundreds of individual makers within a single narrative.
An Island of Light uses light, water, mirrors, movement and sound to illuminate the skill and processes behind each work. The dynamic rug in the centre of the installation was made by Jaipur Rugs.Â
Es Devlin’s island of light
Serving as Artistic Director for the 2026 edition, Devlin uses light, water, mirrors, movement and sound to transform the rooms and grounds of Fondazione Giorgio Cini.
The installations invite visitors to look beyond the finished objects and consider their origins, from the workshops and tools of their makers to the materials and processes that shaped them.
‘My wish for Homo Faber 2026 is for visitors to shift their perspective,’ says Devlin. ‘I hope they will come away with an understanding of the etymology of objects, the hands that make them and the conditions in which they are made.’
The biennial encompasses work from 85 per cent of the artists exhibiting at Homo Faber for the first time. Traditional techniques sit alongside contemporary experimentation, revealing how material knowledge continues to evolve across cultures and generations.

Made For A Woman x Anoka Studio
Making in motion
More than a conventional exhibition, Homo Faber 2026 places live activity and participation at the centre of the visitor experience.
In An Atelier Alive, independent master artisans work with porcelain, leather, paper and textiles within a recreation of a working studio. Elsewhere, woodworkers and weavers demonstrate their processes in A Rooted Ascent, revealing how organic materials influence their work.
Visitors can also take part in workshops devoted to the Japanese crafts of kintsugi and hanko, or contribute to a growing installation through the art of origami. Each handmade paper creation will be added to a floral artwork that continues to develop throughout September.
Live demonstrations, guided encounters and the biennial’s Young Ambassadors programme offer further insight into the knowledge held by the participating artists. Bespoke dining spaces and pop-up restaurants also extend the event’s focus on material, design and Venetian culture beyond the exhibition rooms.
The programme continues across the city through Homo Faber in Città . Exhibitions and events celebrate Venice’s rich creative heritage, while 130 artisanal workshops featured in the Homo Faber Guide will open their doors to visitors throughout the month.
The Homo Faber Awards will also return for 2026. Every exhibiting artist has the opportunity to win one of three prizes, decided respectively by the public, invited journalists and the Young Ambassadors. Each winner will receive €10,000 to support the continued development of their practice.
Ptolemy Mann presents Kyushu Landscape (Bright)
Among the artists exhibiting is British textile artist Ptolemy Mann, whose work Kyushu Landscape (Bright) features within the installation A Rainbow of Forms.
Handwoven from ikat-dyed viscose on a dobby loom, the artwork is defined by feathered transitions of colour achieved through precise dyeing before weaving. Referencing Bauhaus colour theory and Mark Rothko’s colour-field paintings, it challenges traditional distinctions between weaving and abstract art.
Colour is embedded within the construction of the work, emerging as an unfolding process rather than a decorative addition. The piece reflects Mann’s wider interest in the atmospheric and architectural possibilities of woven colour.
Mann’s work can also be seen in London this September in Intertwined, an exhibition with architecture practice Bureau de Change at Forefront.

Bringing together established names and emerging talent from across the world, Homo Faber 2026 reveals the time, knowledge and human touch contained within the objects around us. Mann’s vivid woven work is one example of how the biennial places inherited techniques in conversation with contemporary art, demonstrating the enduring possibilities of material and colour.
Homo Faber 2026: An Island of Light runs at Fondazione Giorgio Cini, Venice, from 1–30 September 2026.
Words by Libbi Kettle
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