The Tamarian team at CCNY The fifth edition of COVER Connect New York—the leading trade show for handmade rugs and high-end carpets, organised by COVER—concluded on Monday afternoon after its three-day run from 13–15 September 2025. The b2b show attracted more than...
In a secluded corner of Marrakech, a museum displays a cross-section of Morocco’s weaving traditions, where Label STEP’S Jana Hesse is delighted by the Maison Culturelle du Tapis

Tucked away in the winding lanes of the medina of Marrakech, the Maison Culturelle du Tapis occupies a restored 17th-century riad that once functioned as a textile workshop.
Created and run by the owners of the long-established carpet gallery La Porte d’Or, the museum presents a private collection of Moroccan carpets assembled over more than forty years by its founder, Mohammed Ksikes.
The museum offers a cross-section of Morocco’s regional weaving traditions, from 20th-century Amazigh tribal carpets of the Middle Atlas to urban courtly productions and contemporary reinterpretations.
Robust woollen rugs woven with bold geometric devices-often associated with rural communities-are shown alongside the more intricate floral compositions of Rabat carpets, long linked to urban patronage and royal taste. Together, they illustrate the breadth of Moroccan design vocabularies and the varied social contexts in which they emerged.

Rather than adopting a strictly chronological display, the presentation emphasises materials and technique. Hand-spun wool, natural dyes and traditional weaving implements are incorporated into the galleries, inviting closer consideration of process as well as finished form.
This focus underscores the technical sophistication of Moroccan weaving and its transmission across generations, primarily among Amazigh women whose work forms the backbone of these traditions.

Architecturally, the riad itself contributes to the narrative. Carved cedar ceilings, zellige tilework and a central courtyard situate the carpets within a distinctly Marrakchi environment, reinforcing the connection between textile production, domestic space and the wider urban context.
Seen from the roof terrace, the medina evokes Marrakech’s historic position within the trans-Saharan and Mediterranean trade routes that shaped the circulation of textiles and materials.

In a city where carpets are widely traded and displayed across the medina’s many souks and galleries, the Maison Culturelle du Tapis offers a quieter counter point, placing these textiles within their historical and cultural frameworks.
By framing carpets as carriers of cultural memory rather than decorative commodities, the museum provides a focused introduction to the diversity and continuing vitality of Morocco’s weaving heritage.
You can also read this article in COVER 83 – available digitally now on Exact Editions.
Words by Jana Hesse
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