This week in COVER News: Igshaan Adams at the Guggenheim Bilbao, COVER 83 out now, registration opens for COVER Connect New York 2026, and a curated look at rug highlights from 3daysofdesign 2026 in Copenhagen.

Registration open for COVER Connect New York 2026

COVER Connect is our leading trade fair for high-end rugs and textiles. Returning to Manhattan for its New York showcase from 26โ€“28 September 2026, the event will bring together leading brands, designers, retailers, architects and industry professionals from around the world for three days of creativity, innovation and networking in the heart of the city.

This yearโ€™s edition welcomes four new exhibitors: Art de Vivre, Parviz Oriental Rugs, Nourison, and Arsin Rug Gallery further strengthening the fairโ€™s international line-up.

Known for its carefully curated selection and vibrant atmosphere, COVER Connect New York offers a unique opportunity to discover new collections, explore emerging trends and connect directly with key voices shaping the industry. From contemporary design and exceptional craftsmanship to innovative materials and fresh business opportunities, the fair remains a key destination for the global rug market.

Three adults at an expo talking, woman in light gray dress with lanyard showing exhibitor badge smiles while others hold brochures beside a textured wall and display panels.
Attendees of COVER Connect New York 2025

The front cover of COVER 83 features the striking cc-tapis x Fornasetti collection, which debuted in Milan this April.

The issue highlights the most exciting new rug designs presented at key international events including Milan Design Week, High Point Market, COVER Connect Pop Up High Point, ICFF, the International Carpet Festival Baku and Domotex Asia/CHINAFLOOR.

The Collections section showcases new work from Art de Vivre, Amini Carpets, Jaipur Rugs, Rosemary Hallgarten, Knots Rugs, and Dawn Bendickโ€™s collaboration with FJ Hakimian, alongside latest releases from Fischbacher 1819 and Zollanvari, plus Li Edelkoortโ€™s playful series with El Espartano.

Features explore US rug trends, agentic AI, Anni Albersโ€™ legacy, Faig Ahmedโ€™s Venice Biennale installation, and rug design for private aviation with Pavina Callies-Papรฉ, as well as Arraiolos rug developments.

WOW!house at Design Centre Chelsea Harbour and the San Francisco Decorator Showcase are also featured, with Trends focusing on outdoor rugs and a review of Kit Kempโ€™s latest book completing the issue.

You can access the issue digitally on Exact Editions now.

A tall, multicolored knitted sculpture with two white circles for eyes stands in a white, desert-like landscape; a bright blue sky with clouds is in the background.
Left = Monster Yodaa Miami Edition by Karan Desai Home X Square Knots Rugs
Right = Kasane from Faces collection by Jaipur Rugs X Kengo Kuma

COVER editor Lucy Upward selects eight standout rug and textile events from 3daysofdesign 2026 in Copenhagen, highlighting key installations and exhibitions across the city. The programme ranged from talks and activations to immersive presentations, with a strong focus on contemporary rug and textile design.

Highlights included PLAYROOM featuring Finarte, where playful new works by Ervin Latimer explored identity through colour and form, and Design / Dialogue by Ark Journal at Den Frie Udstilling, showcasing cc-tapis, Reuber Henning and Warp & Weft.

Other notable presentations included Jan Kath Designโ€™s relaxed lounge installation at Pakhus 11, Vandra Rugs at MKDT Studio, and Layered x Massproductionsโ€™ kinetic โ€œIndustrial Choreographyโ€ installation. The selection also features Linie Designโ€™s Palette Muse showroom and the Female Design Futures exhibition, spotlighting international designers including Milla Novo and Studio Sana Benzaitar.

Showroom interior with a brown shag coffee table, a blue wall rug, and fabric samples along the wall.
Finarte rugs at Playroom
Photo by Unto Rautio

BENI Rugs introduces OAK LANE, a new rug collection created in collaboration with interior designer and dealer Michael Bargo, launching this June. Inspired by Bargoโ€™s summers in Amagansett, the capsule includes six rugs and BENIโ€™s first woven floor pillow.

Drawn from Bargoโ€™s personal โ€œBeach Kitโ€ of collected textiles and objects, the designs translate layered summer memories into stripes, plaids and graphic woven gestures. The collection spans BENI Rugโ€™s Atlas and Zahara constructions, alongside two new weaves: Safaa, a looser flatweave, and Rif, a relaxed, vintage-inspired structure.

Colourways range from soft neutrals to warmer seasonal tones, edited with an instinctive focus on ease and joy. The woven floor pillow extends the language of the rugs into a sculptural domestic form.

Blending BENI Rugโ€™s Moroccan craftsmanship with Bargoโ€™s relaxed, autobiographical approach, OAK LANE captures the feeling of an Amagansett summer.

Stack of surfboards and rolled towels on a car at the sunny beach, ocean in the background; blue water and sand visible.
Billal Taright from Oak Lane
BENI Rugs x Michael Bargo

On view at the Guggenhiem Bilbao in galleries 204 and 208, this exhibition brings together new work by Igshaan Adams, exploring the relationship between weaving, movement and memory

Originating from performances in Athens in 2024, where South African and Greek dancers collaborated for the first time, the works translate bodily gesture into layered โ€œdance printsโ€ that record collective acts of release and connection. These traces are reworked into large-scale woven tapestries, suspended in space to allow viewers to move around and between them, as well as smaller sculptural forms that appear to drift like fragments of movement.

 Adams draws on his upbringing in Bonteheuwel, Cape Town, and the patterned geometries of domestic interiors, transforming humble materials into intricate abstractions that speak to race, religion, sexuality and memory.

Through collaboration with dancers and the act of weaving itself, the installation becomes a meditation on shared experience and embodied repair, where rhythm, touch and trace are held in constant dialogue.

The exhibition is running until 1 November 2026.

Abstract textile installation in a white gallery: oversized, colorful tapestries hung from walls with a polished concrete floor beneath.โ€,
in situ Igshaan Adams Unsettling Dust The Bodys Archive

Words by Libbi Kettle

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