If there’s one thing COVER knows it’s moths. Not gorgeous, blowsy cloud forest moths, but the tiny destroyers of clothes and carpets. Your scribe still mourns her Christopher Farr rug. Carefully folded for a period in storage, it emerged with fist-sized holes. But moths as a metaphor for life and...

If there’s one thing COVER knows it’s moths. Not gorgeous, blowsy cloud forest moths, but the tiny destroyers of clothes and carpets. Your scribe still mourns her Christopher Farr rug. Carefully folded for a period in storage, it emerged with fist-sized holes.

But moths as a metaphor for life and the survival imperative was expressed by Virginia Woolf in her essay “The Death of the Moth” (published 1942), and more recently American new media artist Jennifer Steinkamp borrows Woolf’s title for her animated time based video exhibition at The Fabric Workshop and Museum in Philadelphia.

Jennifer Steinkamp, Moth 5 (still, detail), 2012, digital projection, dimensions variable, courtesy of ACME, Los Angeles and Lehmann Maupin, New York

Steinkamp’s video of the gentle movements of the tattered cloth has the desolate look of a curtain in the glass-less window of a long abandoned house. But it also might be a freedom flag for moths. Yes, it’s true. Steinkamp’s work makes your scribe less hostile to the wee beasties.

Describing how she chose her theme, Steinkamp states on her website, “Kippy Stroud invited me to create a piece for The Fabric Workshop. I was at a party with Kippy and observed her killing a tiny moth. I asked her why, she said because they eat fabric. Somehow the image has stuck with me and I created a piece for the dead moth.”

Do view the video on The Fabric Workshop and Museum website, and hold a thought for moths and other wee creatures. DJ

Advertisement

Advertisement

Advertisement

Recent Articles

COVER 80 – The Special 20th Anniversary Edition

COVER 80 – The Special 20th Anniversary Edition

To mark 20 years of COVER magazine being at the centre of the rug industry, our Autumn issue will be a special COLLECTORS' EDITION. The covetable printed issue of COVER 80 will be accompanied by a FREE digital edition, available on the websites of media...

Review: COVER Connect New York 2022

Review: COVER Connect New York 2022

The second edition of COVER Connect New York drew to a close at lunchtime on Tuesday 13 September after an action packed two and a half days of business at the Metropolitan Pavilion in Manhattan. There was an incredibly positive atmosphere for the duration of the...

Deirdre Dyson

Deirdre Dyson

Artist rugs     Heirloom quality     Inspiring Design Library Golden Glints, All at Sea collection, Deirdre Dyson ‘During lockdown I was stuck on my boat for about three months. I had the sea all around me for...

COVER Curates, January 18th 2022

COVER Curates, January 18th 2022

Launching on 18th January 2022, COVER Curates is a new way for leading handmade rug brands to present their latest collections, developments and designs to buyers worldwide online. The concept has been specifically developed in consultation with key...

From Micro to Monumental at MATTER and SHAPE 2026

From Micro to Monumental at MATTER and SHAPE 2026

Sophie Taeuber-Arp MATTER and SHAPE returns to Paris from 6–9 March, where a special collaboration with the ‘musée de France’ Fondation Arp-Taeuber will be presented, featuring handmade rugs translated from the original designs of Sophie Taeuber-Arp. Led by WSN’s...

COVER Conversations: 07 Keith Collins from Artexture

COVER Conversations: 07 Keith Collins from Artexture

COVER Conversations · COVER Conversations: 07 Keith Collins Artexture For the seventh edition of COVER Conversations, COVER assistant editor Rachel Meek talks to American artist Keith Collins who uses rugs and textiles as well as paint to create his artworks. Rachel...

Last chance to see Petah Coyne: How Much A Heart Can Hold

Last chance to see Petah Coyne: How Much A Heart Can Hold

People observing the inspiring textile sculptures from How Much A Heart Can Hold Bringing together more than a dozen monumental mixed-media sculptures, this exhibition positions women’s voices, past and present, at the centre of its emotional and conceptual...

Related Articles